Watching SKRFF is, effectively, a hypnotic and fascinating experience. In about seven minutes, sounds, sometimes psychedelic colours and refined animation make us forget reality for a moment, giving us images of pure beauty. At the film review CinemAUSTRIA 2025/2026.
Phantom of a Garden strikes us with its extraordinary visual care. And despite the often controversial use of artificial intelligence, we can see how it is also capable of producing something we all desperately need: pure beauty. At the film review CinemAUSTRIA 2025/2026.
In She dolls with Dollies, flowers gradually begin to occupy an increasingly large space, until they become the protagonists on the movie screen. And with their bright colours, they have the power to make the personal universal, shouting at the top of their voices about the rights, identity, and essential, fundamental importance of every human being. At the film review CinemAUSTRIA 2025/2026.
The short film Heast is a lesson in visual and auditory aesthetics, a little punk, a little futuristic, intended to celebrate and then fragment Austrian nationalism. At the Vienna Shorts 2025.
Break into your House is a film about bodies and spaces, but also about personal identity, which can only manifest itself in all its power without fear and with verve and liveliness. At the Vienna Shorts 2025.
In Tanzen, Roland Schafek and Teresa Pentzold decided to give free rein to their imagination, tackling some rather important and topical issues, without forgetting to add a touch of welcome irony. At the Vienna Shorts 2025.
The music video Hole – HYPERDOG deserves to be watched and rewatched, the song deserves to be listened to and re-listened to, and the allegory behind this work deserves to be revealed. At the Vienna Shorts 2025.
At Home I feel like leaving by Simon Maria Kubiena is a film about people who feel strange and foreign in their own homes, but who probably feel the same way in society and in the world, having not yet found their place. At the Vienna Shorts 2025.
In On the Border, the impressive landscapes are treated almost as main characters, further enhanced by shots that sometimes show us the locations as geometric compositions.
In Becoming Outline, cinema, theatre, but also documentary cinema and painting come together to create a beautiful harmony. The powerful and symbolic colour red, for its part, is the perfect co-star.