Watching SKRFF is, effectively, a hypnotic and fascinating experience. In about seven minutes, sounds, sometimes psychedelic colours and refined animation make us forget reality for a moment, giving us images of pure beauty. At the film review CinemAUSTRIA 2025/2026.
Phantom of a Garden strikes us with its extraordinary visual care. And despite the often controversial use of artificial intelligence, we can see how it is also capable of producing something we all desperately need: pure beauty. At the film review CinemAUSTRIA 2025/2026.
Schlimmige Kreise stands out for its highly innovative staging, which is entirely digital. A staging in which the main protagonists on the movie screen are primarily bright colours in shades of red, green, blue, purple and pink. At the film review CinemAUSTRIA 2025/2026.
In making Tako Tsubo, Eva Pedroza and Fanny Sorgo opted for sophisticated watercolour drawings and very precise colour choices within a predominantly minimalist mise-en-scène, which proved to be the right solution for telling the protagonist’s unique story. At the festival CinemAUSTRIA.
In The Flounder, inspired by the fairy tale The Fisherman and his Wife by the Brothers Grimm, the images simply speak for themselves. And in little more than six minutes they are able to convey an important message by filling our eyes with pure beauty. At the festival CinemAUSTRIA.
Perfectly in line with the lyrics of the song, Bite me, Baby presents a surprising and courageous staging, in which psychedelic two-dimensional drawings create together with live action images a beautiful harmony. At the festival CinemAUSTRIA.
With this interesting The Migrumpies Arman T. Riahi wanted first of all to provide us with interesting food for thought through an extremely topical and universal story. At the festival CinemAUSTRIA.
In Subtopic we never know what to expect, which incredible, magnetic images will appear before our eyes each time, which singular creatures we will encounter. At the festival CinemAUSTRIA.