Tag: Berlinale

anqa-2023-helin-celik-recensione-review-kritik

ANQA

Details of hands that write or draw eyebrows on the faces of little girls, but also tired eyes, gazes staring into space and thinking faces that try to process wounds from the past become the absolute protagonists in Anqa. At the Berlinale 2023.

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STAMS

Stams is the imagine of a world of dreams, of fears, of hopes. The image not of one, but of many stories of young people who have chosen a difficult path, but who desperately want to live to the full with all that life has to offer them. At the Berlinale 2023.

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SISI & I

Meticulously detailed and quite original in its costumes, with an excellent cast and locations that almost seem to belong to enchanted dimensions, Frauke Finsterwalder’s Sisi & I is definitely the most “feminist” version of all the feature films dedicated to Elisabeth of Austria. At the Berlinale 2023.

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INGEBORG BACHMANN – JOURNEY INTO THE DESERT

Ingeborg Bachmann – Journey into the Desert unfolds on two temporal levels: on the one hand, we witness the first encounter between the protagonist and Frisch, their toxic relationship and their separation; on the other hand, at the same time, we see the finally free woman, who tries to heal her emotional wounds through a long journey into the desert. The woman and then the writer. Through the woman, the writer emerges. At the Berlinale 2023.

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DE FACTO

In De Facto, there is no need for complex set designs, archive material, many actors or the on-set reconstruction of certain historical events. On the contrary, the director focuses on simplicity and the essential, opting for a well-thought-out and strongly minimalist mise-en-scène, which, however, perfectly succeeds in its intentions.

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A LITTLE LOVE PACKAGE

A Little Love Package is a film made of pictures, flavours, sensations. The taste of a boiled egg at breakfast eaten by Nikolaus, owner of Café Weidinger. Stunning images of a drone filming distant lands. A visit to the museum. A brief return to one’s home country. A loving homage to the beautiful Vienna, presented to us almost as a timeless place by Gastón Solnicki.

mutzenbacher-2022-beckermann-recensione

MUTZENBACHER

The room is very spacious, the sofa decidedly comfortable, the topics dealt with often excessively controversial. But that is precisely the point of Mutzenbacher: to allow everyone to identify with those who are usually strongly judged, feeling vulnerable in turn and trying to understand dynamics that are anything but simple.