WITH GOD’S GRACE
The mise-en-scene adopted in With God’s Grace does not aim at an excessively marked or elaborate aesthetic, but – in a long journey from Gambia to Italy, arriving, even if only virtually, in Düsseldorf – substantially focuses on the essential, for a successful example of cinema of reality which, through the story of a single character, tells us, in fact, the story of thousands and thousands of people.