THE DAYS AND THE YEAR
There is no need for any caption in The Days and the Year. The images simply speak for themselves and through a strongly contemplative directorial approach they find their ideal depiction.
Screenwriter: Angela Summereder
IM AUGENBLICK. DIE HISTORIE UND DAS OFFENE
Im Augenblick. Die Historie und das Offene plays with sensations and perceptions, is constantly searching for new ways of staging, is not afraid to dare or to exaggerate. The yellow of the cinematography almost suggests imminent danger. What if the danger is represented by humans themselves?
ZECHMEISTER
Who is the victim and who is the executioner, at the end of the day, in this singular version of events staged by Angela Summereder? Regardless of how things really turned out, no one is really innocent in Zechmeister. And, at the end of the day, the finger is pointed above all at a hypocritical and perbenist society, ready to accuse anyone it comes across, just to see from afar what consequences will arise from certain actions.