PASOLINICODE 02112011
In pasolinicode 02112011, it is above all an atmosphere of sacredness that accompanies us from beginning to end, an essential component in paying sincere and reverent homage to great Pier Paolo Pasolini.
Production: Ludwig Wüst
COMA
In Coma, violence, suffering, guilt, but also unconditional love and self-sacrifice are the main emotions that play the leading roles in a complex and visually captivating work.
#LOVE
What is love? Reinterpreting Schnitzler’s La Ronde in a post-modern key and at the same time drawing an interesting fresco of the era in which we live, Ludwig Wüst’s #LOVE doesn’t want to give us definitive answers on the subject, but it does, however, make us realise how extraordinarily powerful, how wonderfully painful this feeling can be each time.
3.30PM
Also in this precious little 3.30PM Ludwig Wüst retains the main themes and constants of his cinema, emphasising, if you like, certain trends already traced in the past. And here, that realism and minimalism that were so central in his previous works become quite essential.
MY FATHER’S HOUSE
The first chapter of the Heimatfilm-Trilogie (which also includes Farewell, 2014, and Heimatfilm, 2016), My Father’s House, dedicated to the director’s recently deceased parents, stages – like the author’s other films – an important inner change and can rightfully be classified as his most intimate and personal work.