ALL MY SISTERS
Through images of everyday life, All my Sisters offers an intelligent and never banal glimpse into an important chapter of Iran’s contemporary history. At the Diagonale 2026.
Through images of everyday life, All my Sisters offers an intelligent and never banal glimpse into an important chapter of Iran’s contemporary history. At the Diagonale 2026.
The Blood Countess takes us by the hand on a journey where anything can happen. And through decidedly surreal characters, witty and hilarious dialogue, and “bloody” and wonderfully disturbing moments, it also pays sincere homage to Vienna. At the Berlinale 2026, Berlinale Special Gala section.
Struggle doesn’t tell us about a single struggle, but about many daily struggles that, each in their own way, all point towards a peaceful future, even when that future seems like nothing more than a mere illusion.
Characterised by a captivating and meticulously researched soundtrack, Happyland is a sometimes light, but often quite painful feature film, in which there is no lack of important twists that hit us like a punch in the stomach. At the Diagonale 2025.
With a directorial approach that is both simple and complex at the same time, and in which there is no lack of strongly poetic and contemplative moments, Pandora’s Legacy proved to be an extremely mature and sincere documentary. An exciting journey between past and present in which the past itself appears on the movie screen more alive and pulsating than ever. At the Diagonale 2024.
Vienna Calling is an exciting journey into pop, underground Vienna. A film in which music and words go hand in hand, in which we can finally ‘peek behind the scenes’ and get to know the most important artists of the contemporary music scene better, while also sharing with them moments from their private lives. At the Diagonale’23.
Ingeborg Bachmann – Journey into the Desert unfolds on two temporal levels: on the one hand, we witness the first encounter between the protagonist and Frisch, their toxic relationship and their separation; on the other hand, at the same time, we see the finally free woman, who tries to heal her emotional wounds through a long journey into the desert. The woman and then the writer. Through the woman, the writer emerges. At the Berlinale 2023.
In its complex simplicity, MappaMundi successfully depicts the history not only of our planet, but also of mankind, even hypothesising a (not) too distant, but practically inevitable future. Can there ever really be a definitive end, however? Bady Minck does not want to formulate any precise theory on the matter.
Reality and imagination. Past and present. War and peace. Pain and serenity. In Fever, all these elements play the leading role, they often get mixed up, they confuse us, but, all together, they point the finger directly at every war, which is responsible for ruining the lives of millions of people.
It immediately presents itself as a good blend of arts, Being and Nothingness. Music and film thus give rise to a completely innovative and unique product. And to this end, director Bady Minck has opted for a quite minimalist approach.