In KLITCLIQUE’s music video Auto, many clichés are deconstructed through an approach that is both critical and ironic. Anna Spanlang subsequently explored this same theme in several of her later works. Always in search of new cinematic languages, of course.
In That to You, Nana Swiczinsky simply told us about herself. And she did so through a little, precious film in which the constant search for new cinematic languages immediately takes centre stage.
vers.augt highlights the very act of watching. In this sense, it is impossible not to think of the viewer’s eye, but above all, more generally, of cinema itself, which is capable of offering us the most diverse spectacles each time.
The Secret of the Grey Cells can undoubtedly be considered an autobiographical film, but also – and above all – a work that offers an ironic and humorous insight into the fascinating world of art during one of its most delicate phases.
In Lerne Schwimmen, two-dimensional drawings, caricatured figures with distinctive physical features, together, of course, with a pleasant sense of humour, give the whole film a distinct personality. Restored by Filmarchiv Austria and presented on the Filmarchiv On channel.
Watching SKRFF is, effectively, a hypnotic and fascinating experience. In about seven minutes, sounds, sometimes psychedelic colours and refined animation make us forget reality for a moment, giving us images of pure beauty. At the film review CinemAUSTRIA 2025/2026.
What is real and what is merely a product of our own perception? To what extent can our beloved cinema truly be considered “reliable”? Flim Flam offers viewers the precious freedom to enjoy the cinematic experience in a completely subjective way, becoming the main actors themselves.
Phantom of a Garden strikes us with its extraordinary visual care. And despite the often controversial use of artificial intelligence, we can see how it is also capable of producing something we all desperately need: pure beauty. At the film review CinemAUSTRIA 2025/2026.
Aquamarine is a little symphony performed by an equally little orchestra. And watching it all on a movie screen with the right music, what we see before our eyes is pure, simple beauty.
With The Heroes, Hubert Sielecki once again wanted to tell us about one of the many aspects of the complicated but fascinating world of cinema, as experienced by those who make films themselves. And with a sophisticated and meticulously detailed mise-en-scène, the message comes across loud and clear.