What is real and what is merely a product of our own perception? To what extent can our beloved cinema truly be considered “reliable”? Flim Flam offers viewers the precious freedom to enjoy the cinematic experience in a completely subjective way, becoming the main actors themselves.
This Arrow Points is an essential work in Austrian and world film history. A film that further explores the complex world of the seventh art. Could it be, perhaps, only the first chapter in a series of reflections on the concepts of image and meaning? At the Diagonale 2025.
Photography, cinema, black and white, colour, analogue and digital. In Vintage Print, all these elements strike us on a visual level and, at the same time, are complemented by many elements that, on a sound level, allow the viewer to perceive the essence of the places depicted by placing them within precise contexts.
In Mare Imbrium, Siegfried A. Fruhauf knows exactly what he wants to communicate to us. We understand this immediately as the digital images turn into analogue images, and then become digital again according to a precise elliptical structure. At the Diagonale 2024.
In Realtime, practically nothing else is needed for Cinema to show up on the movie screen in all its communicative power. In little more than four minutes, the magic happens. The viewer is hypnotised.
Cave Painting is a true visual experience. An essential film that in just fifteen minutes tells us about the past and present of our beloved cinema. Past and present that meet, mingle, merge and together draw an exhaustive picture of what cinema has realised in little more than a century. At the Diagonale’23.
Mountain Trip is a little, refined miriorama through which the director wanted to show us the essence of Austria according to numerous clichés spread all over the world. On the postcards, each time, we can recognise mountains, small houses, church steeples that stand out above everything, but also large green meadows and lakes. And so, many postcards make up one endless landscape.