THE DAYS AND THE YEAR
There is no need for any caption in The Days and the Year. The images simply speak for themselves and through a strongly contemplative directorial approach they find their ideal depiction.
Cinematography: Othmar Schmiderer
IM AUGENBLICK. DIE HISTORIE UND DAS OFFENE
Im Augenblick. Die Historie und das Offene plays with sensations and perceptions, is constantly searching for new ways of staging, is not afraid to dare or to exaggerate. The yellow of the cinematography almost suggests imminent danger. What if the danger is represented by humans themselves?