Days yet unknown is a true declaration of love from Jola Wieczorek to her mother, Wieslawa. But it is also a precious gift that the director wanted to give to her child. An important chapter in a family story that speaks to everyone. At the Diagonale 2026.
In pasolinicode 02112011, it is above all an atmosphere of sacredness that accompanies us from beginning to end, an essential component in paying sincere and reverent homage to great Pier Paolo Pasolini.
In Coma, violence, suffering, guilt, but also unconditional love and self-sacrifice are the main emotions that play the leading roles in a complex and visually captivating work.
Like so many pieces of a puzzle, testimonies, stories, but also old photographs and archive footage come together in Scars of a Putsch to form an important chapter of contemporary history. At the Berlinale 2025, Forum Special section.
What is love? Reinterpreting Schnitzler’s La Ronde in a post-modern key and at the same time drawing an interesting fresco of the era in which we live, Ludwig Wüst’s #LOVE doesn’t want to give us definitive answers on the subject, but it does, however, make us realise how extraordinarily powerful, how wonderfully painful this feeling can be each time.
Conceived as a minimalist vademecum, Living together, the newest documentary by director Thomas Fürhapter, shows, through a clever use of static camera, a series of extremely intense images.
27 Storeys immediately turns out to be an extremely intimate and personal, documentary, but also objective enough for a clear observation of the reality shown to us. The viewer has complete freedom to draw his or her own conclusions. At the Diagonale’23.
ABC is a constantly evolving journey towards a future full of new discoveries and new ways of understanding art and reality. The memory of bygone times and how we have become what we are today. A true love letter to life, to friendship, to Cinema. At the Diagonale’23.
Shot entirely in 16mm, I am here! is a difficult, often painful, but also tenderly nostalgic journey between past and present in view of a new future. An apparently essential feature film, but, in reality, much more complex than it may initially seem. At the Diagonale’23.
The first chapter of the Heimatfilm-Trilogie (which also includes Farewell, 2014, and Heimatfilm, 2016), My Father’s House, dedicated to the director’s recently deceased parents, stages – like the author’s other films – an important inner change and can rightfully be classified as his most intimate and personal work.