Cinematography: Hans Theyer

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THE FAIRY DOLL

Undoubtedly, the story staged by E. W. Emo in The Fairy Doll is nothing particularly original. It could even be stated that the feature film has acquired particular historical importance today precisely because it is one of the films in which Romy Schneider’s parents took part when they were young. Yet, despite everything, we must recognise a certain grace and elegance in the staging of the tender love story between the two young protagonists.

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DIE TAT DES ANDREAS HARMER

Die Tat des Andreas Harmer is an extremely sophisticated noir, where – just as the great Fritz Lang had shown us in Metropolis in 1926 – the clear separation between good and evil is well represented on two levels by the settings, be they the basement of a building and the sewers of the city or a sunny park on a hot summer’s day.