THAT TO YOU
In That to You, Nana Swiczinsky simply told us about herself. And she did so through a little, precious film in which the constant search for new cinematic languages immediately takes centre stage.
Category: 90s
THE SECRET OF THE GREY CELLS
The Secret of the Grey Cells can undoubtedly be considered an autobiographical film, but also – and above all – a work that offers an ironic and humorous insight into the fascinating world of art during one of its most delicate phases.
LIEBE TV
Hubert Sielecki’s Liebe TV is a careful and ironic analysis of the world of broadcasting and its relationship with the audience in the postmodern era.
THE HEROES
With The Heroes, Hubert Sielecki once again wanted to tell us about one of the many aspects of the complicated but fascinating world of cinema, as experienced by those who make films themselves. And with a sophisticated and meticulously detailed mise-en-scène, the message comes across loud and clear.
DIE MINISTRANTEN
What will become of the young protagonists of Die Ministranten? Wolfram Paulus doesn’t want to give us definitive answers, but despite the dramatic nature of some events, he never fails to maintain a certain objectivity and indulgence towards each of them.
BOOK FACTORY
In Book Factory, bright, vivid colours and figures halfway between reality and fantasy create that special atmosphere that makes us all feel like children again.
LONELY COWBOY IN 1992
In Lonely Cowboy in 1992 by Thomas Renoldner, a profound, never banal and at times even ironic reflection on the passing of time, which inevitably conveys a certain melancholy, is carried out.
VIVUS FUNERATUS
In Vivus funeratus, Stefan Stratil has staged the story of a glamorous world where mere beauty is nothing more than poor-quality plastic, where no one is truly accepted for who they are, where what we desire is not necessarily what could make us happy.
DON’T – DER ÖSTERREICHFILM
The message conveyed in Don’t – Der Österreichfilm is a kind of ‘denunciation’ against a country where certain dynamics from the past continue to repeat themselves and where no one has really learned anything from history.
EGYPT
In Egypt by Kathrin Resetarits, we are shown a way of communicating that is almost entirely unknown to us. A world that seems to belong to a dimension of its own, where images full of meaning take on almost mystical connotations.