With Midas, Edgar Honetschläger has made a completely original and surprising feature film, a feature film that one does not expect, which skilfully deals with universal themes while at the same time taking a completely personal form. At the Diagonale’23.
27 Storeys immediately turns out to be an extremely intimate and personal, documentary, but also objective enough for a clear observation of the reality shown to us. The viewer has complete freedom to draw his or her own conclusions. At the Diagonale’23.
Cave Painting is a true visual experience. An essential film that in just fifteen minutes tells us about the past and present of our beloved cinema. Past and present that meet, mingle, merge and together draw an exhaustive picture of what cinema has realised in little more than a century. At the Diagonale’23.
Smother has nothing to envy from past horror films and although it makes visions, hallucinations and perceptions its workhorse, it focuses mainly on the personal drama of the protagonist, classifying itself as a deep and never trivial feature film about parenthood. At the Diagonale’23.
Vienna Calling is an exciting journey into pop, underground Vienna. A film in which music and words go hand in hand, in which we can finally ‘peek behind the scenes’ and get to know the most important artists of the contemporary music scene better, while also sharing with them moments from their private lives. At the Diagonale’23.
In Archive of the Future, an almost contemplative narrative style, images with a magnetic appeal and a direction devoid of excessive virtuosity give us a virtual tour of one of Vienna’s most famous museums, giving us above all the precious opportunity to ‘peek behind the scenes’. At the Diagonale’23.
With Die Vermieterin, Sebastian Brauneis has once again made something totally unique. A hilarious and moving work, in which there is also – and above all – an important social discourse. At the Diagonale’23.
ABC is a constantly evolving journey towards a future full of new discoveries and new ways of understanding art and reality. The memory of bygone times and how we have become what we are today. A true love letter to life, to friendship, to Cinema. At the Diagonale’23.
Shot entirely in 16mm, I am here! is a difficult, often painful, but also tenderly nostalgic journey between past and present in view of a new future. An apparently essential feature film, but, in reality, much more complex than it may initially seem. At the Diagonale’23.
Wicked Games Rimini Sparta, through the story of three people, immediately becomes a picture of the era in which we live, of a sick world in which everyone seems to be hopelessly alone, destined never to find the longed-for serenity. At the Diagonale’23.