Out of the Void stands out for its hybrid staging, in which classic interviews and documentary footage alternate with archive footage and even fictional scenes shot for the occasion. At the Viennale 2025, monography Angela Summereder.
With Helmut Berger, Actor, Andreas Horvath has given us a surprising, sometimes even shocking, similar to a roller coaster ride, but also extremely human work. At the Venice Film Festival 2015, Venezia Classici section.
The exquisite Corpus is an important essay on the process of filmmaking itself, demonstrating how important it is to treasure what has been made in the past and how essential it is to maintain a strong desire to experiment in order to allow art itself to evolve. At the 2015 Cannes Film Festival.
Photography, cinema, black and white, colour, analogue and digital. In Vintage Print, all these elements strike us on a visual level and, at the same time, are complemented by many elements that, on a sound level, allow the viewer to perceive the essence of the places depicted by placing them within precise contexts.
Help, I shrunk my Teacher is a film of international scope that is clearly inspired by contemporary US entertainment cinema and also aims very much at an extensive distribution abroad. Yet, despite this, we cannot fail to notice an almost television-like approach that, together with sometimes excessively contrived special effects, makes the whole thing easily forgettable.
No one is really innocent in Life eternal. And even if past faults come to the surface, we gradually discover that those whom we initially considered to be completely negative, also have a tender and friendly nature after all.
The Story of Technoviking focuses on the legendary protagonist of a viral video from several years ago, but at the same time examines closely the current phenomenon of social media, how it influences our lives and how easy it is to become ‘famous’ today, often unknowingly.
Dealing with love – and, above all, understanding its true meaning – is not at all easy for Charlie and her friends. The same applies to eroticism, which they consider almost an antidote against boredom, but which, in fact, pervades the entire Beautiful Girl with a pulsating, implicit tension.
The contemplative Paradise Threatened presents itself immediately as a completely unique film, almost like a virtual visit to a museum displaying the precious works of photographer Heinrich Kühn, one of the most important precursors of modernism.
Light as a feather, Nachtaktiv presents itself as one of Tim Oppermann’s most complete and introspective works, which by no means wants to give definitive answers, and which is perfectly in line with Austrian cinema and its always attentive gaze at young people.