LONELY COWBOY IN 1992
In Lonely Cowboy in 1992 by Thomas Renoldner, a profound, never banal and at times even ironic reflection on the passing of time, which inevitably conveys a certain melancholy, is carried out.
In Lonely Cowboy in 1992 by Thomas Renoldner, a profound, never banal and at times even ironic reflection on the passing of time, which inevitably conveys a certain melancholy, is carried out.
In Vivus funeratus, Stefan Stratil has staged the story of a glamorous world where mere beauty is nothing more than poor-quality plastic, where no one is truly accepted for who they are, where what we desire is not necessarily what could make us happy.
The entertaining mockumentary Das Fest des Huhnes is a practically unique film, much more topical and urgent than it may initially seem. A work that even many years after it was made seems so dramatically necessary.
Bio-Graphics by Nana Swiczinsky is an unconventional autobiography that immediately fascinates us with its sometimes unusual shapes and colours. A love declaration to art as a faithful life companion.
Lively, colourful, ironic and self-ironic, The Ballad of Maria Lassnig, the latest short film by the famous Carinthian painter, is a veritable hymn to life and beauty, which has always made us all feel younger, richer and happier.
In Benny’s Video, reality is what we see, but also what we can manipulate at will. Michael Haneke knows very well where to direct our gaze, simply letting the images speak for themselves and – through monitors that almost act as a ‘filter’ – showing us a distorted world, a sick world.
Although Cappuccino Melange, in order to accentuate the differences between the two protagonists, plays a lot on clichés, often excessively caricaturing its characters and sometimes even seeming excessive and unbelievable, on the whole the adventures of the two bizarre protagonists work. And they do so especially in the details.