DIE FLIEGE
In Die Fliege, a short, amusing little story magically comes to life on the movie screen, immediately capturing our attention, keeping us in suspense and, of course, entertaining us.
Category: 1968
MOSS ON THE STONES
Somewhere between the Nouvelle Vague and Post-Neorealism, Georg Lhotsky’s Moss on the Stones stands as a truly groundbreaking film in Austrian film history. Recently restored by Filmarchiv Austria and presented to the audience on the new channel Filmarchiv On.
18/68 VENECIA KAPUTT
Venice. One of the most beautiful cities in the world. One of the many homelands of our beloved seventh art. The venue for the oldest film festival in the world. It is no coincidence that Kurt Kren chose Venice as the protagonist of 18/68 Venecia Kaputt. Every predefined rule is turned upside down. Cinema and negation of cinema.
FLIPPER
In Flipper it is the cold, deafening and disturbing noise of the marbles within the game that takes centre stage. The woman speaks, but her words are inaudible. The man and the woman are close, but suddenly unable to move, since they seem to be tied in a sort of straitjacket. They both make faces and everything, for a moment, takes a deliberately grotesque turn.