LOVER DIVINE
Willi Forst’s fictional, black-and-white version of the life of composer Franz Schubert in Lover Divine is a work that embodies the romantic Zeitgeist of the 19th century more than ever before.
Willi Forst’s fictional, black-and-white version of the life of composer Franz Schubert in Lover Divine is a work that embodies the romantic Zeitgeist of the 19th century more than ever before.
Das historische Perchtoldsdorf – produced in 1933 by Österreich in Bild und Ton – is part of a series of propaganda-oriented documentaries shot in Austria mainly between the 1930s and 1940s.
A mainly contemplative mood is the leitmotif of Der Heideboden. A documentary of undoubted historical importance that, despite its rather elementary mise en scène, is a perfect witness to a bygone era in which cinema could only take on certain connotations. An era whose consequences were felt for many, many years. But also, at the same time, an era in which, despite everything, cinema did not stand still.
On the occasion of the pre-opening of the 76th Venice Film Festival, the feature film Ecstasy, directed by Gustav Machatý, was screened, newly restored in 4K by the Cineteca di Bologna. And although this important work is mainly remembered for the nudity of the beautiful Hedy Lamarr, which had already caused a scandal at the Venice Film Festival in 1934, many will have noticed that Ecstasy also stands out for its excellent direction by Machatý.