Author Archives: Marina Pavido

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IN TROUT WE DUST

Dieter Kovačič’s In Trout we Dust is a particularly sophisticated and well-crafted documentary. A real pleasure for the eyes (and the ears), a brief but exciting journey into a world that few truly know from the inside.

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MONEY

Money captures well a reality that only those who have experienced it first-hand can truly understand, but which, in fact, concerns practically all of us and which, despite the passing of the years, remains so dangerously relevant.

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IM ALTEN FELDKIRCH

Life in the small town flows peacefully. The camera, with its simple, essential shots, acts as a silent witness to it all. And through a direct, straightforward staging devoid of any virtuosity, Im alten Feldkirch finds its ideal form. Restored by Filmarchiv Austria and presented on the Filmarchiv On channel.

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LEBEN AM WIENER NASCHMARKT

At a time when the consequences of the recent war were still quite evident, the image of a nation doing everything it could to start over was undoubtedly quite powerful. The documentary Leben am Wiener Naschmarkt, along with many other films of its kind, had precisely this aim. Restored by Filmarchiv Austria and presented on the Filmarchiv On channel.

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DIE ALTE HUNGERBURGBAHN

Die alte Hungerburgbahn adopts a purely classic and linear directorial approach which, further enriched by a welcome touch of irony, has proved to be the right way to give us a comprehensive insight into life in that corner of Tyrol a few years after the end of World War I. Restored by Filmarchiv Austria and presented on the Filmarchiv On channel.

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ALLTAG IN STEYR

In Alltag in Steyr, a heartfelt and entertaining tribute to the history of cinema provides a welcome diversion within a documentary characterised by a purely classical directorial approach, which offers us a comprehensive insight into what life was like at the time in the little, picturesque town of Steyr. Restored by Filmarchiv Austria and presented on the Filmarchiv On channel.

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AUTO

In KLITCLIQUE’s music video Auto, many clichés are deconstructed through an approach that is both critical and ironic. Anna Spanlang subsequently explored this same theme in several of her later works. Always in search of new cinematic languages, of course.

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THAT TO YOU

In That to You, Nana Swiczinsky simply told us about herself. And she did so through a little, precious film in which the constant search for new cinematic languages immediately takes centre stage.