
REPLAY
Replay is a sparkling comedy of errors, an evocative and original portrait of Vienna by night, but also the personal drama of a man who has not yet found his place in the world.
Replay is a sparkling comedy of errors, an evocative and original portrait of Vienna by night, but also the personal drama of a man who has not yet found his place in the world.
Poppitz is hilarious, irreverent, not afraid to highlight the habits and faults of the upper middle class and, in recounting poor Gerry’s misadventures, draws a comprehensive fresco of contemporary society. A superficial society that only cares about ‘appearances’ and considers luxury as the solution to any problem.
No one is really innocent in Life eternal. And even if past faults come to the surface, we gradually discover that those whom we initially considered to be completely negative, also have a tender and friendly nature after all.
No one is really innocent or completely guilty in Hold-Up. Or, better still, each of the three characters is both victim and executioner at the same time. And this feature film by Florian Flicker stands out above all for its good screenplay, thanks to which moments of tension cleverly alternate with much more light-hearted scenes.
Fast paced, impeccable editing, an apparent daily routine that opens the feature immediately give us the idea of a thrilling action film, given also – and above all – the particular setting chosen by the director. And, in fact, there is plenty of action in Cops. And yet, this feature film is not just that.
Mother’s Day – Harald Sicheritz’s debut feature, which, alongside an often excessively fragmented plot, features an overall good characterisation of upper-class Austrian society – has become, over the years, a true cult within contemporary Austrian cinema.
Pepe Danquart’s C(r)ook pis inspired by US gangster movies, but is also closely reminiscent of contemporary French comedies, thanks to a successful mix of genres, between polar and real comedy.