
ANNA FUCKING MOLNAR
In Anna Fucking Molnar, Sabine Derflinger has mainly played with some of the constants of her cinema, making her film an extremely topical comedy with a strong feminist character.
In Anna Fucking Molnar, Sabine Derflinger has mainly played with some of the constants of her cinema, making her film an extremely topical comedy with a strong feminist character.
Hinterland is an expressionist film. A film in which angular sets, cramped streets, sloping buildings, sinister shadows and oblique shots make us experience first-hand one of the most dramatic periods in history and convey anxiety.
7500 – the debut feature by young Patrick Vollrath – relies almost exclusively on action scenes that do not let themselves be constrained by the limited space available, as well as by a good script and, last but not least, the face of Joseph Gordon-Levitt, always on the piece and never over the top.
Climate change has, for several years now, become a rather topical issue. And what does cinema, for its part, do? Great witness of our times, the seventh art has also often had its say on the subject. One example is the feature film The Station – made by Marvin Kren in 2013 – a reinterpretation/tribute to John Carpenter’s famous The Thing (1982). An operation, this one, however, very risky.
Wild Mouse, written, directed and performed by Josef Hader, stages a (not too) soft critique of society and the world of work.