Four Minus Three by Adrian Goiginger is a feature film made up of glances, gestures, celebrations, objects and old videos that bring back memories that are both painful and wonderful at the same time. At the Berlinale 2026, Panorama section.
With this interesting The Migrumpies Arman T. Riahi wanted first of all to provide us with interesting food for thought through an extremely topical and universal story. At the festival CinemAUSTRIA.
Veni vidi vici is to all intents and purposes one of Daniel Hoesl and Julia Niemann’s most mature films (both stylistically and semantically). Or, better still, a summa of what their cinema has been to date. At the Diagonale 2024.
In Stella. A Life., the seemingly simple but eventful plot unfolds, which is the life of one of the many people who used to denounce Jews, a traitor on many levels, through 40 years of personal but also German history.
In Anna Fucking Molnar, Sabine Derflinger has mainly played with some of the constants of her cinema, making her film an extremely topical comedy with a strong feminist character.
Meticulously detailed and quite original in its costumes, with an excellent cast and locations that almost seem to belong to enchanted dimensions, Frauke Finsterwalder’s Sisi & I is definitely the most “feminist” version of all the feature films dedicated to Elisabeth of Austria. At the Berlinale 2023.
In I Promise Wolfgang Murnberger undoubtedly relies on many clichés concerning not only military life, but also – and above all – the always complicated transition from childhood to adulthood. These clichés, however, manage to fully capture the feelings of the young protagonists, making this important feature film an extremely intimate and intelligent work.
The Royal Game is an endless journey between its protagonist’s past and present. The Royal Game is a rollercoaster ride, the meeting point between the outside world and the inner world. An experience that, at times, can really hurt.
The Robber focuses mainly on the complex inner world of its protagonist, his constant need to run away, his difficulty in integrating into society and leading a normal life.
The bizarre situations staged by David Schalko in the series Me and the Others are initially presented as a pure divertissement: we do not know why the protagonist is able to make these wishes, nor do we know who is able to make his dreams come true. Then, slowly, the music changes. At the Berlinale 2021.