Light as a feather, Nachtaktiv presents itself as one of Tim Oppermann’s most complete and introspective works, which by no means wants to give definitive answers, and which is perfectly in line with Austrian cinema and its always attentive gaze at young people.
Perfectly according to the poetics of Veronika Franz and Severin Fiala, The Sinful Women of Höllfall mainly plays with feelings, fears and suggestions experienced by the characters themselves. What is staged is, in fact, the very fear of the Trud and the deep sense of guilt that such a legend has managed to generate in the past.