Four in a Jeep immediately stands out not only for an excellent script, but also for an approach reminiscent of both French noirs and Hollywood cinema of those years, for elegant and welcome irony and for an impossible love story. At the Diagonale’22.
In the ensemble film Viennese Girls, director, painter and photographer Kurt Steinwendner – so fascinated by Italian Neorealism that he was inspired by it in every way – draws a fresco of a hardly recovering Vienna after World War II, in which what seems most difficult is to make ends meet, due to the job insecurity that sadly combines with the inhuman conditions of the workers.