Actor: Gisela Salcher



Smother has nothing to envy from past horror films and although it makes visions, hallucinations and perceptions its workhorse, it focuses mainly on the personal drama of the protagonist, classifying itself as a deep and never trivial feature film about parenthood. At the Diagonale’23.



With a directorial approach that is as essential as possible – and with evident influences from the cinema of Michael Haneke – Markus Schleinzer – together with Kathrin Resetarits – has opted in Michael for a skilful minimal direction in staging the events of the two protagonists. A minimal direction made up of essential shots, fixed camera and very little dialogue. In competition at the Cannes Film Festival 2011.