Actor: David Bennent

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THE THEORY OF EVERYTHING

In The Theory of Everything the environments themselves play a central role. Environments in which one gets lost, in which people mysteriously disappear, in which corpses are found brutally murdered. Environments that are further enhanced by a perfect and visually captivating cinematography, which well exploits the contrasts between black and white and light and shadow, faithfully following the canons of Expressionism. In competition at the 80th Venice Film Festival.

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FOG IN AUGUST

Kai Wessel’s Fog in August presents a mise-en-scène with mainly monochrome cinematography, in which the lighting is always too low, too weak. A mise-en-scene that is also complemented by a script in which the bravest characters, the most justice-seeking characters never really manage to make their voices heard.