Actor: Branko Samarovski

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THE WHITE RIBBON

In The White Ribbon, Michael Haneke is more insightful than ever in his exploration of disturbing dynamics within everyday life. Violence is commonplace. Winner of the Palme d’Or at the 2009 Cannes Film Festival.

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GEBIRTIG

In Gebirtig, through a strong script and careful staging with attention to every detail, the drama of the three protagonists is perfectly portrayed on the movie screen. And sometimes, what we see can really hit us like a punch in the stomach. Presented by Filmarchiv Austria on the Filmarchiv On channel on the occasion of the Holocaust Remembrance Day.

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COMING OF AGE

Fresh and light as a spring breeze, yet also deeply dramatic and moving, Coming of Age is a hymn to love and freedom. A love story between two young souls who must come to terms with the inevitable passing of time.

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PEACOCK

Intelligent, at times hilarious and decidedly merciless, Peacock shows us a world in which every aspect of everyday life is studied and planned down to the smallest detail, leaving no place for spontaneity and true feelings. At the 81st Venice Film Festival, section Settimana Internazionale della Critica.

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GRAND DIAGONALE ACTING AWARD 2022 TO BRANKO SAMAROVSKI

As part of the festival opening on April 5, the Diagonale’22 will award the Grand Diagonale Acting Award 2022 for services to Austrian film culture for the 15th time. The Diagonale is pleased to announce that this year’s award goes to Branko Samarovski. The stage, film and television actor will receive the award – an artwork by Constantin Luser – in Graz personally.

71 FRAGMENTS OF A CHRONOLOGY OF CHANCE

It is based on a real-life news story 71 Fragments of a Chronology of Chance. In the film – which is divided into five chapters, each concerning a particular day – everything takes place from October 12 to December 23, 1993. Everything leads up to a single event in which all the characters will be involved in one way or another. But how important is the human being in this feature film by Michael Haneke?

NARCISSUS AND GOLDMUND

Narcissus and Goldmund is a film that, despite the undoubted mastery of director Stefan Ruzowitzky, despite the high budget employed and a respectable cast, despite visually and symbolically powerful moments, is overall excessively contrived and pretentious.