Actor: Adele Neuhauser



In its complex simplicity, MappaMundi successfully depicts the history not only of our planet, but also of mankind, even hypothesising a (not) too distant, but practically inevitable future. Can there ever really be a definitive end, however? Bady Minck does not want to formulate any precise theory on the matter.


Although Aufschneider stands out immediately for its television-like writing and directorial approach, everything flows in an overall linear way. Every single event, every single story of the characters are somehow connected. Often, however, also in an excessively predictable manner.


Divided mainly into a series of sometimes too predictable gags, Love Machine suffers a lot from a weak screenplay, whose twists can already be easily imagined after only a few minutes. Despite the charisma of the talented Thomas Stipsits in the leading role.