Month: March 2025

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SOLVENT

In Solvent Johannes Grenzfurthner wasn’t afraid to dare, to show us reality through a courageous and innovative mise-en-scène, in which wide-angle shots further convey a strong sense of unease, together with splatter scenes, psychedelic lights and an increasingly frenetic editing. At the Diagonale 2025.

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ALARM

In Alarm, Judith Zdesar has avoided any kind of rhetoric, focusing instead on the individual emotions, dreams and traumas of each of the protagonists, immediately revealing an extraordinary maturity in her approach to a complex topic. At the Diagonale 2025.