THE THEORY OF EVERYTHING
In The Theory of Everything the environments themselves play a central role. Environments in which one gets lost, in which people mysteriously disappear, in which corpses are found brutally murdered. Environments that are further enhanced by a perfect and visually captivating cinematography, which well exploits the contrasts between black and white and light and shadow, faithfully following the canons of Expressionism. In competition at the 80th Venice Film Festival.