Month: April 2021


Narcissus and Goldmund is a film that, despite the undoubted mastery of director Stefan Ruzowitzky, despite the high budget employed and a respectable cast, despite visually and symbolically powerful moments, is overall excessively contrived and pretentious.


Although Aufschneider stands out immediately for its television-like writing and directorial approach, everything flows in an overall linear way. Every single event, every single story of the characters are somehow connected. Often, however, also in an excessively predictable manner.