Month: April 2020


I Love Vienna presents itself as a colourful and cheerful fresco of society, in which controversial topics are raised – especially concerning the various cultural differences and the different ways of understanding marriage and love relationships in general – but all this is done in an ironic way, through a skilful script that sees numerous misunderstandings and paradoxes as its most important peculiarities.


In Macondo, many issues are brought into play. If, on the one hand, we see the problem of the integration of Ramasan’s family within Austrian society, then the focus slowly shifts to the personal drama of the young protagonist, the need to belong to something stable and reassuring – as can be, in this case, the family – and the desire to discover the truth about a past about which we still know too little.