MODELS
It is impossible to remain indifferent after watching Models (as after watching every other work by Ulrich Seidl). And this is exactly what the director wants: to hit, to shock, to enrapture the audience without fear of hurting them.
It is impossible to remain indifferent after watching Models (as after watching every other work by Ulrich Seidl). And this is exactly what the director wants: to hit, to shock, to enrapture the audience without fear of hurting them.
In Chaos, director Sara Fattahi, with a mise-en-scène that reveals her limited experience behind the camera, has more than once fallen into banal mannerisms, especially when she wanted to give the work a strongly (and not always justifiably) contemplative tone.