Day: March 20, 2019



It is impossible to remain indifferent after watching Models (as after watching every other work by Ulrich Seidl). And this is exactly what the director wants: to hit, to shock, to enrapture the audience without fear of hurting them.



In Chaos, director Sara Fattahi, with a mise-en-scène that reveals her limited experience behind the camera, has more than once fallen into banal mannerisms, especially when she wanted to give the work a strongly (and not always justifiably) contemplative tone.