{"id":40153,"date":"2025-05-26T00:07:00","date_gmt":"2025-05-25T22:07:00","guid":{"rendered":"https:\/\/cinema-austriaco.org\/2025\/05\/26\/vienna-shorts-2025\/"},"modified":"2025-06-01T00:22:40","modified_gmt":"2025-05-31T22:22:40","slug":"vienna-shorts-2025","status":"publish","type":"post","link":"https:\/\/cinema-austriaco.org\/de\/2025\/05\/26\/vienna-shorts-2025\/","title":{"rendered":"VIENNA SHORTS 2025"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Kleine Geschichten, gro\u00dfe Emotionen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Endlich ist es wieder soweit! In K\u00fcrze beginnt das mit Spannung erwartete <strong><em>Vienna Shorts 2025<\/em><\/strong>, das wichtigste Kurzfilmfestival \u00d6sterreichs. Die diesj\u00e4hrige Ausgabe, die vom 27. Mai bis zum 1. Juni 2025 stattfinden wird, steht erneut unter der k\u00fcnstlerischen Leitung von <a href=\"https:\/\/cinema-austriaco.org\/de\/2024\/05\/22\/interview-mit-daniel-hadenius-ebner\/\">Daniel Hadenius-Ebner<\/a> und pr\u00e4sentiert wieder eine reichhaltige Auswahl an Live-Action-, Animations- und Dokumentarkurzfilmen, ohne nat\u00fcrlich Musikvideos und einen besonderen Fokus auf junge Talente zu vergessen. Kurz gesagt: 374 Filme aus 60 L\u00e4ndern werden uns in den n\u00e4chsten Tagen begeistern und \u00fcberraschen.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Konkret wird das <strong><em>Vienna Shorts 2025<\/em><\/strong> wieder in verschiedene Sektionen unterteilt sein, die jeweils einen bestimmten Schwerpunkt haben. Besonders erw\u00e4hnenswert ist in diesem Zusammenhang das Leitthema dieser Ausgabe, das heuer den Titel <strong><em>R\u00fcck n\u00e4her: Radikale Intimit\u00e4t<\/em><\/strong> tr\u00e4gt, vom gleichnamigen Buch von Sophie K. Rosas und inspiriert ist, und sich auf die Konzepte von N\u00e4he und Solidarit\u00e4t als Akt des Widerstands in einem historischen Moment, in dem wir uns, auch und vor allem aus politischer Sicht, alle gef\u00e4hrlich voneinander zu entfernen scheinen, konzentriert. Und welches Mittel k\u00f6nnte uns besser dazu anregen, \u00fcber bestimmte Themen nachzudenken, als Film?  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Was die Kurzfilme im Wettbewerb dieses <strong><em>Vienna Shorts 2025<\/em><\/strong> betrifft, so gibt es vier verschiedene Sektionen. In der Sektion <strong><em>FIDO \u2013 Fiction &amp; Documentary<\/em><\/strong>, die internationalen Werken gewidmet ist, scheinen unter anderem Titel wie <strong>Skin on Skin<\/strong> von Simon Schneckenburger, <strong>Camponliva<\/strong> von Alicia Monchol\u00ed, <strong>Common Pear<\/strong> von Gregor Bozic, <strong>Heartbeat<\/strong> von Jay Rosenblatt und Stephanie Rapp sowie <strong>Through your Eyes<\/strong> von Nelson Yeo vielversprechend zu sein, um nur einige zu nennen. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Und was ist mit Animationsfilmen? Beim <strong><em>Vienna Shorts 2025<\/em><\/strong> k\u00f6nnte nat\u00fcrlich auch die Sektion <strong><em>AA \u2013 Animation Avantgarde<\/em><\/strong> nicht fehlen, wo wir uns neben vielen bunten und visuell ansprechenden Werken auch Titel wie <strong>A Round of Applause for Death<\/strong> von Stephen Irwin, <strong>Desk Bugs<\/strong> von Hakhyun Kim, <strong>Glass House<\/strong> von Boris Labb\u00e9 und <strong>Moving Mountains<\/strong> von Jessica Poon sowie die \u00f6sterreichischen Filme <strong>Im Dickicht<\/strong> von Katharina Pichler, <strong>The Garden of electrics Delights<\/strong> von Billy Roisz und <strong>The Prologue<\/strong> von Marzieh Emadi und Sina Saadat anschauen werden. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Und nat\u00fcrlich wird auch beim <strong><em>Vienna Shorts 2025<\/em><\/strong> wieder besondere Aufmerksamkeit den \u00f6sterreichischen Werken gewidmet. In diesem Zusammenhang ist die Sektion <strong><em>\u00d6W \u2013 \u00d6sterreich Wettbewerb<\/em><\/strong> ganz den im letzten Jahr in \u00d6sterreich gedrehten Kurzfilmen gewidmet, darunter <strong><a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/31\/night-of-passage\/\">Night of Passage<\/a><\/strong> von Reza Rasouli (der k\u00fcrzlich den Preis f\u00fcr den Besten Kurzspielfilm bei der <strong><em><a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/03\/27\/diagonale-2025\/\">Diagonale 2025<\/a><\/em><\/strong> gewonnen hat), <strong><a href=\"https:\/\/cinema-austriaco.org\/de\/2024\/10\/22\/ruletista\/\">Ruletista<\/a><\/strong> von Lukas Valenta Rinner, <strong><a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/29\/wohnjuwel\/\">Wohnjuwel<\/a><\/strong> von Simon Spitzer, <strong><a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/03\/28\/world-at-stake\/\">World at Stake<\/a><\/strong> vom Kollektiv Total Refusal, <strong><a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/28\/at-home-i-feel-like-leaving\/\">At Home I feel like Leaving<\/a><\/strong> von Simon Maria Kubiena und <strong>Resonance<\/strong> von Katharina Bayer, um nur einige Titel zu nennen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wenn wir dazu noch die Sektion <strong><em>Portraits<\/em><\/strong>, die bestimmten Filmemacher:innen (darunter der mutigen <a href=\"https:\/\/cinema-austriaco.org\/de\/2022\/04\/22\/interview-mit-kurdwin-ayub\/\">Kurdwin Ayub<\/a>) gewidmet ist, sowie zahlreiche Live-Events, Workshops und sogar eine Reihe von Filmvorf\u00fchrungen mitten in der Nacht hinzufugen, wird klar, dass das <strong><em>Vienna Shorts 2025<\/em><\/strong> spannender denn je sein wird. Sind Sie also bereit f\u00fcr ein neues Abenteuer? Einige der besten Kinos\u00e4le Wiens warten schon auf uns! Und jetzt machen wir es uns bequem, die Show beginnt gleich&#8230;   <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Info: Die <a href=\"https:\/\/www.viennashorts.com\/\" target=\"_blank\" rel=\"noopener\">Website<\/a> vom Vienna Shorts 2025<\/h6>\n<div class=\"related_content\" style=\"clear:both;\"><h3 class=\"widget-title\">Pr\u00e4sentierte Filme und zugeh\u00f6rige Artikel<\/h3>\n\t\t\t\t\t\t\t\t\t<ul class=\"related-posts extended_view\">\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/06\/01\/heast\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/heast-2024-friedrich-deisenberger-recensione-review-kritik-300x177.jpg\" alt=\"heast-2024-friedrich-deisenberger-recensione-review-kritik.jpg\" class=\"related-post-image\" \/><span class=\"related-post-title\">HEAST<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/31\/night-of-passage\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/night-of-passage-2025-reza-rasouli-recensione-review-kritik-300x158.jpg\" alt=\"night-of-passage-2025-reza-rasouli-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">NIGHT OF PASSAGE<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/29\/wohnjuwel\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/living-jewel-2025-wohnjuwel-simon-spitzer-recensione-review-kritik-1-300x126.jpg\" alt=\"living-jewel-2025-wohnjuwel-simon-spitzer-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">WOHNJUWEL<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/28\/at-home-i-feel-like-leaving\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/at-home-i-feel-like-leaving-2024-simon-maria-kubiena-recensione-review-kritik-300x169.jpg\" alt=\"at-home-i-feel-like-leaving-2024-simon-maria-kubiena-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">AT HOME I FEEL LIKE LEAVING<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/30\/break-into-your-house\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/break-into-your-house-ikan-hyu-drahthaus-2024-clara-stern-johannes-hoss-recensione-review-kritik-300x150.jpg\" alt=\"break-into-your-house-ikan-hyu-drahthaus-2024-clara-stern-johannes-hoss-recensione-review-kritik.jpg\" class=\"related-post-image\" \/><span class=\"related-post-title\">BREAK INTO YOUR HOUSE<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/30\/tanzen\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/tanzen-bibiza-2024-schafek-pentzold-recensione-review-kritik-300x170.jpg\" alt=\"tanzen-bibiza-2024-schafek-pentzold-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">TANZEN<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/28\/hole-hyperdog\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/hole-hyperdog-2024-jennifer-eder-recensione-review-kritik-300x169.jpeg\" alt=\"hole-hyperdog-2024-jennifer-eder-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">HOLE &#8211; HYPERDOG<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/27\/mesmerized\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/mesmerized-monolink-2025-nicola-von-leffern-recensione-review-kritik-300x144.jpg\" alt=\"mesmerized-monolink-2025-nicola-von-leffern-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">MESMERIZED<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/03\/28\/world-at-stake\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/03\/world-at-stake-2025-total-refusal-recensione-review-kritik-300x167.jpg\" alt=\"world-at-stake-2025-total-refusal-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">WORLD AT STAKE<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2024\/10\/22\/ruletista\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2024\/10\/ruletista-2024-lukas-valenta-rinner-recensione-review-kritik-300x125.jpg\" alt=\"ruletista-2024-lukas-valenta-rinner-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">RULETISTA<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2024\/10\/25\/haba\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2024\/10\/haba-2024-helin-celik-recensione-review-kritik-300x169.jpg\" alt=\"haba-2024-helin-celik-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">HAB\u0100<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/31\/sommerurlaub-vaginale-vii\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/summer-holiday-vaginale-vii-2011-sommerurlaub-vaginale-vii-kurdwin-ayub-recensione-review-kritik-300x169.jpg\" alt=\"summer-holiday-vaginale-vii-2011-sommerurlaub-vaginale-vii-kurdwin-ayub-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">SOMMERURLAUB (VAGINALE VII)<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2025\/05\/29\/familienurlaub\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2025\/05\/family-holiday-2012-familienurlaub-kurdwin-ayub-recensione-review-kritik-300x167.jpg\" alt=\"family-holiday-2012-familienurlaub-kurdwin-ayub-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">FAMILIENURLAUB<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2022\/04\/10\/boomerang\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2022\/03\/boomerang-2018-ayub-recensione-300x169.jpg\" alt=\"boomerang-2018-ayub-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">BOOMERANG<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<li class=\"related-post extended_view\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cinema-austriaco.org\/de\/2024\/10\/23\/die-schoene-tote\/\" class=\"related-post-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/cinema-austriaco.org\/wp-content\/uploads\/2024\/10\/beautiful-dead-woman-2024-die-schone-tote-jan-soldat-recensione-review-kritik-300x233.jpg\" alt=\"beautiful-dead-woman-2024-die-schone-tote-jan-soldat-recensione-review-kritik\" class=\"related-post-image\" \/><span class=\"related-post-title\">DIE SCH\u00d6NE TOTE<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t<div style=\"clear:both;\"><\/div><\/div>\n\t\t\t\t\t","protected":false},"excerpt":{"rendered":"<p>Presentation vom Vienna Shorts 2025. In Wien, vom 27. Mai bis zum 1. Juni 2025. <\/p>\n","protected":false},"author":10,"featured_media":39910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[2788,22643],"tags":[3130,22623,26036,3153],"titolo_originale":[],"attore":[],"anno":[],"sceneggiatura":[],"fotografia":[],"produzione":[],"sceneggiatore":[],"regista":[],"genere":[],"class_list":["post-40153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivals","category-vienna-shorts-de","tag-festival-de","tag-vienna-shorts-de","tag-vienna-shorts-2025-de","tag-vorstellung"],"_links":{"self":[{"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/posts\/40153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/comments?post=40153"}],"version-history":[{"count":5,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/posts\/40153\/revisions"}],"predecessor-version":[{"id":40283,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/posts\/40153\/revisions\/40283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/media\/39910"}],"wp:attachment":[{"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/media?parent=40153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/categories?post=40153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/tags?post=40153"},{"taxonomy":"titolo_originale","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/titolo_originale?post=40153"},{"taxonomy":"attore","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/attore?post=40153"},{"taxonomy":"anno","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/anno?post=40153"},{"taxonomy":"sceneggiatura","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/sceneggiatura?post=40153"},{"taxonomy":"fotografia","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/fotografia?post=40153"},{"taxonomy":"produzione","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/produzione?post=40153"},{"taxonomy":"sceneggiatore","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/sceneggiatore?post=40153"},{"taxonomy":"regista","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/regista?post=40153"},{"taxonomy":"genere","embeddable":true,"href":"https:\/\/cinema-austriaco.org\/de\/wp-json\/wp\/v2\/genere?post=40153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}